Thursday, August 04, 2011
This blog is done, visit me elsewhere
Now that the PhD is put to bed, I've stopped writing on this blog. Please visit my portfolio site at:
zoesadokierski.com
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Notes to self
(7)
Reflections
(7)
Methodology
(5)
Definition of terms
(4)
Lectures
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Progress reports
(4)
post-it
(3)
Illustration
(2)
What am I doing?
(2)
thoughts on academic writing
(1)
Blog Archive
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2011
(1)
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August 2011
(1)
This blog is done, visit me elsewhere
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2010
(1)
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April 2010
(1)
Thesis available to download
►
2009
(10)
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September 2009
(2)
What does a thesis look like?
The end is here
►
August 2009
(3)
Thesis brain
ABSTRACT
analysis – critique
►
June 2009
(2)
On Reading Graphic Novels (differently)
Push and Pull
►
May 2009
(1)
Rief Larsen's lost images
►
February 2009
(1)
Research Blurb
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January 2009
(1)
Blog as research
►
2008
(22)
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October 2008
(2)
The great escape
Interview
►
August 2008
(3)
Tips from Dunleavy
State of Play
the value of practitioner-researchers
►
June 2008
(2)
Media, mode, materiality
PhD epiphanies
►
May 2008
(7)
Post-it of the week
Designers' nightmares
Timo's blog
Post-it of the week
Pistols! Treason! Murder! (gimmicks)
Exploiting Borrowed Emotion
Post-it of the week
►
April 2008
(4)
Vonnegut's doodles...
Thanks, Wikipedia
Just in case I forget...
Doris Lessing, The Golden Notebook
►
March 2008
(2)
visual communication or design?
Cutting off a limb
►
February 2008
(1)
Sundays - upcoming exhibition at UTS
►
January 2008
(1)
Essay in Heat
►
2007
(35)
►
October 2007
(2)
New Readers
Material writing
►
September 2007
(2)
Action Research and design
To come back to:
►
August 2007
(1)
Abstract for Postgrad Research Conference
►
July 2007
(8)
Content Analysis - methodology
New review site
film v novel
The limits of images
What comes out at 3.47am (post-it note to self: dr...
Gimmickry and publishing
Postmodern fiction
The Invention of Hugo Cabret, Brian Selznick
►
June 2007
(5)
Steven Hall and interactive reading
What am I doing (again)?
Progress Report, June 07
►
May 2007
(8)
►
April 2007
(3)
►
March 2007
(2)
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February 2007
(3)
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January 2007
(1)
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2006
(9)
►
November 2006
(1)
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September 2006
(1)
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August 2006
(7)
Fictional prose with graphic elements
Our Ecstatic Days, Steve Erickson: typography
The Goalie's Anxiety at the Penalty Kick, Peter Handke (eng translation Michael Roloff) 1977
Abadazad (series), J.M. DeMatteis and Mike Ploog, combines print narrative with comic-style narrative
Monster, Walter Dean Myers, photographs as questionable evience
The Art Lover, Carole Maso, 1990. photos, newspaper clippings, etc
The Home Place, Wright Morris. 1948, photographs.
Mohr: A Novel, Frederick Reuss. 2006. photos
Water for Elephants, Sara Gruen. 2006. Photos/illos
Vita: A Novel. Melanina G Mazzucco. 2005. Photographs
At Bonus Time, No-one Can Hear You Scream. David Charters. 2004. Photographs
Alva & Irva: The Twins Who Saved a City. 2003. photographs
Mercedes-Benz, Pawel Huelle. 2002. photographs
The one Hundred Ninety-Nine Steps, Michael Faber. 2001. Photographs.
Dark Back of Time, Javier Marias. 1998. Photographs, ephemera.
I Could Read the Sky, Timothy O'Grady. 1997. Photographs
Anarcho-Hindu: The Damned, Weird Book of Fate. Curtis White. 1995. Photographs (x6)
99: The New Meaning, Walter Abish. 1990. Photographs (x5)
Journey to Land's End: A Paper Movie, Lou Stoumen. 1988. Photographs
Can't Argue with the Sunrise, Lou Stoumen. 1975. Photographs
Negatives of My Father, Peter Henisch. 1990 (1975)
Mumbo Jumbo, Ishmael Reed. 1972. Photographs and illustrations
Coming Through Slaughter, Michael Ondaatje. 1976. 2 photographs
The Collected Works of Billy the Kid, Michael Ondaatje. 1970
Around the Day in Eighty Worlds, Julio Cortazar, 1967
Tiger Tiger, Alfred Bester (rereleased as The Stars My Destination)
The Stone Diaries, Carol Shields. 1993
The Invention of Hugo Cabaret, Brian Selznick
The Raw Shark Texts, Steven Hall. Typographic flipbook
The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1
You Shall Know Our Velocity, Dave Eggers. Graphics
Jimmy Corrigan, The Smartest Kid on Earth, Chris Ware
Horace Dorlan, Andrzej Klimowski
The Secret, Andrzej Klimowski
The Depository, Andrzej Klimowski
The Three Incestuous Sisters, Audrey Niffenegger
John Byrne ?
Ten Tales Tall and True, Alasdair Gray
Lanark, Alasdair Gray
The Autograph Man, Zadie Smith
The Emigrants, WG Sebald
The Rings of Saturn, WG Sebald
Austerlitz, WG Sebald
The Corrections, Jonathan Franzen
Life, A Users' Manual, George Perec
The Bald Soprano, ... (Play)
The Medium is the Massage, Marshall McLuhan (Non-fiction)
Griffin & Sabine series; The Windflower; The Venetian's Wife. Nick Bantock
Malinche, Laura Esquivel
The Red Shoe, Ursula Dubosowski
Pagan's Daughter, Catherine Jinks
The Astonishing life of Octavian Nothing, M.T. Anderson
Stephen King & Barbara Kruger, My Pretty Pony
Mad Love, Andre Breton
Naja, Andrew Breton
VAS: An Opera in Flatland, Steve Tomasula and Stephen Farrell
House of Leaves, Mark Danielewski
Special Topics in Calamity Physics, Marisha Pessl
Table of Everything, Trudy White
Everyman's Rules for Scientific Living, Carrie Tiffany
The Slightly True Story of Cedar B. Hartley, Martine Murray
The Motel Life, Willy Vlauntin ("interspersed with drawings that form an intergral part of the narrative")
Vertigo, WG Sebald
The Life and Times of Tristram Shandy, Laurence Sterne
Double Game, Sophie Calle (not really a novel)
BS Johnson (suggestions?)
Wicked, Gregory Maguire
Fear and Loathing in Las Vegas, Hunter S Thompson (Non-fiction, apparently)
People of Paper, Salvador Plascencia
Life After God, Douglas Copeland
Microserfs, Douglas Copeland
J-Pod, Douglas Copeland
Slaughterhouse 5, Kurt Vonnegut: drawings
Slapstick, Kurt Vonnegut: drawings
Breakfast of Champions, Kurt Vonnegut: drawings
The Giro Playboy, Michael Smith: drawings
The Curious Incident of the Dog in the Night-Time, Mark Haddon: diagrams, typset in sans serif
Extremely Loud and Incredibly Close, Jonathan Safran Foer: photos, 'pen' marks, unconventional typography
The Mysterious Flame of Queen Loana, Umberto Eco: Colour and black&white reproductions of pop culture ephemera from the narrator's childhood
The Tenth Circle, Jodi Picoult: Graphic Novel sections
Links
Naomi Stead, one of my supervisors
Timo's Zero Fabric Waste research
My professional (and personal) work
T-shirt side project
Australian site for the Memefest festival
Yoko
Tania
Neal
memefest – International Festival of Radical Communication
Followers
Publications/Exhibitions
March, 2008. Exhibition – Sundays. DAB LAB gallery, UTS
January 2008. Essay – Word and image in contemporary fiction. Heat 15 (Giramondo Press)
March, 2008.
Contributed two images to The Book Of Noise
Feb, 2008. Book Review – Images: A Reader. Visual Communications Journal (Sage)
Feb, 2006. Essay – A Designer By Any Other Name. Visual Communications Journal (Sage)
June 2005. Exhibition - Girls Are Ugly When They Drink. Francis Baker Smith Gallery
About Me
Zoe
Sydney, NSW, Australia
View my complete profile
Research Questions (I think I've rejected)
What are the potentials for designers to generate content in word-image narratives (moving from paratext to inter text?)
What does it mean that writers are writing in a more designerly way?
What is the difference between a writer-driven and designer-driven narrative?
How does this new narrative form affect the relationship between writer and designer?
What is the potential for word-image relationships to create a new narrative form?
where I waste time
Foreword - a book design blog
The Drama Store
Design Observer
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